Miranda and Caliban | Review
Miranda and Caliban is slated to release on February 14, 2017.
Book blurb: Miranda is a lonely child. For as long as she can remember, she and her father have lived in isolation in the abandoned Moorish palace. There are chickens and goats, and a terrible wailing spirit trapped in a pine tree, but the elusive wild boy who spies on her from the crumbling walls and leaves gifts on their doorstep is the isle’s only other human inhabitant. There are other memories, too: vague, dream-like memories of another time and another place. There are questions that Miranda dare not ask her stern and controlling father, who guards his secrets with zealous care: Who am I? Where did I come from? The wild boy Caliban is a lonely child, too; an orphan left to fend for himself at an early age, all language lost to him. When Caliban is summoned and bound into captivity by Miranda’s father as part of a grand experiment, he rages against his confinement; and yet he hungers for kindness and love.
I have been a fan of Jacqueline Carey forever. I fell in love with her lyrical writing when I first read Kushiel’s Dart, and then fell in love all over again with her Santa Olivia and Agent of Hel series. Miranda and Caliban is a beautiful return to Carey’s lyrical writing that I love so much, and missed a little bit with her more recent works.
I sat down to read Miranda and Caliban when I had about an hour of spare time, thinking I’d slowly read the book over the course of a few days. Instead, I found myself unable to put the book down, I was so enthralled by the story. In fact, I read the entire book over the course of one evening, it was just that mesmerizing!
Now, if you’re not aware, Miranda and Caliban is a retelling of Shakespeare’s Tempest, so if you’re aware of the play, you know how the story is going to end up. It’s a tragedy, after all.
The romance between Miranda and Caliban builds slowly over time, and starts as many romances do, after years of friendship. Miranda is lonely and has spent much of her life very sheltered, and Caliban wants nothing more than to belong. And Prospero is pulling the strings on both, using them for his own revenge. The result is a magical and enchanting tale that Carey weaves, even knowing from the start that the star-crossed lovers are doomed.
Personally, I found myself equally invested in both the story of Miranda and Caliban, and secretly (or maybe not so secretly!) hoping for a retelling with a twist that wouldn’t lead to heartbreak. But Carey faithfully stuck to the source material, and I enjoyed the story immensely despite the feels.
The only downsides I have for this novel are:
– Even though we do see more lyrical writing in Miranda and Caliban from Carey, much like her work in her Kushiel series, this is not what I would call an epic fantasy. There is only so much for Carey to work with here, given the source material, and although she does a fantastic job weaving her plot, it’s not as layered as perhaps I was hoping.
– The size is a little disappointing, coming in at just over 300 pages. Again, I fully realize this is more due to the source material (like the above note), so take that into consideration. My disappointments were really stemming more from the fact that I want another lyrical, epic fantasy from Carey, rather than the quality of prose of Miranda and Caliban. 😉
I received Miranda and Caliban as an ARC on NetGalley in exchange for an honest review
Rating: 4 stars
Have you read Miranda and Caliban? What did you think? Let me know in the comments!
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